Zentrum für Ostasienwissenschaften SCREENINGS and DISCUSSION: “We Are Here” (2015) and “The Returning Tide: Thirty Years On” with Film Directors Shitou, Xu Xiaotong, Yang (Iris) Yu
- Termin in der Vergangenheit
- Wednesday, 3 June 2026, 18:00 - 21:00
- CATS Auditorium (010.01.05), Voßstraße 2, 69115 Heidelberg
- Xu Xiaotong
- Yang (Iris) Yu
18.00 Introduction
18.15 We Are Here 我们在这里 (2015), 58 Min
19.15: The Returning Tide 人在路途中 (2025), 73 Min
20.30 -21:15: Joint Discussion with the film directors Shitou, Tong and Iris (all online)

Adresse
Seminar Building, CATS Auditorium (R. 010.01.05),
Voßstr. 2, 69115 HeidelbergVeranstaltungstyp
Filmvorführung
Kontakt
We Are here (Shi Tou and Zhao Jing, Directors)
… with Film Director Shi Tou
https://chinaindiefilm.org/films/we-are-here/
What happens when 300 lesbians from around the world attend the largest United Nations conference? How did two busloads of lesbians headed to an underground nightclub help spark the birth of a lala (LBT) movement in China? At the 1995 Fourth World Conference on Women in Beijing, the first-ever lesbian tent at a UN NGO Forum was created. At the tent, ideas were shared, connections were made, and identities were affirmed . . . with a growing emergence of energy for change.
The Returning Tide: Thirty Years On
… with Film Directors: Xu Xiaotong, Yang (Iris) Yu
https://www.thereturningtide.com/?utm_source=ig&utm_medium=social&utm_content=link_in_bio
The film revisits more than twenty feminist activists from Japan, South Korea, Taiwan, Hong Kong, and mainland China to trace the lasting impact of the 1995 United Nations Fourth World Conference on Women held in Beijing across East Asia. It follows the connections forged during the conference, examines gender mainstreaming frameworks, and explores the rise of grassroots, queer movement and digital rights alongside the backlash these activists now face. The film shows how these activists continue their work despite changing historical conditions and political uncertainties. Through these intertwined stories, the film continually asks what sustains such struggles and how feminist movements persist, transform, and evolve across generations and regions.