Dr. Juliane Noth

Monographs
Edited volumes
Articles
Contributions in exhibition catalogues
Online publications
Dictionary entries and book reviews

Publications

Monograph
	Landschaft und Revolution. Die Malerei von Shi Lu Berlin: Dietrich Reimer Verlag, 2009 Check availability in Heidi
Herausgeberschaft
	The Itineraries of Art. Topographies of Artistic Mobility in Europe and Asia, with Karin Gludovatz and Joachim Rees, Berliner Schriften zur Kunst (Berlin Studies on Art), Paderborn: Wilhelm Fink Verlag, 2015. – rev. Silke Förschler, in: Kunstform 18 (2017), Nr. 2 Check availability in Heidi
	Elegante Zusammenkunft im Gelehrtengarten: Studien zur Ostasiatischen Kunst zu Ehren von Jeong-hee Lee-Kalisch – Elegant Gathering in a Scholar's Garden: Studies in East Asian Art in Honor of Jeong-hee Lee Kalisch, with Annegret Bergmann, Shao-Lan Hertel, Antje Papist-Matsuo and Wibke Schrape, Weimar: VDG, 2015.
	Huang Binhong yu xiandai yishu sixiangshi guoji xueshu yantaohui wenji 黃賓虹與現代藝術思想史 國際學術研討會文集. Huang Binhong and the Evolution of Modern Ideas in Art: An International Forum, with Kong Lingwei 孔令偉, Hangzhou: Zhongguo Meishu Xueyuan Chubanshe, 2014.
	Negotiating Difference, Chinese Contemporary Art in the Global Context, with Birgit Hopfener, Franziska Koch and Jeong-hee Lee-Kalisch, Weimar: VDG, 2012. Check availability in Heidi

Aufsätze und Artikel

• “Mountains and a Lot of Water. How Photography Reshaped Imaginations of the Chinese Landscape”, Ulrich Pfisterer und Christine Tauber (eds.): Einfluss, Strömung, Quelle: Aquatische Metaphern in der Kunstgeschichte, Bielefeld: transcript, 2019, 139–154.

• “Reproducing Chinese Painting: Revised Histories, Illustration Strategies, and the Self-Positioning of Guohua Painters in the 1930s”, Ars Orientalis 48 (2018), 43–70.

• “Landscape Photography, Infratructure, and Armed Conflict in a Chinese Travel Anthology from 1935: The Case of Dongnan lansheng”, in: Trans Asia Photography Review, vol. 8, issue 2: Voyages (Spring 2018).

• “Comparing the Histories of Chinese and Western Landscape Painting in 1935: Historiography, Artistic Practice, and a Special Issue of Guohua yuekan”, in: Pauline Bachmann et al. (eds.): Art/Histories in Transcultural Dynamics: Narratives, Concepts and Practices at Work, 20th and 21st Centuries, Berliner Schriften zur Kunst, Paderborn: Wilhelm Fink Verlag, 2017, 265–290.

• “Confucius and Tolstoy in India: Shi Lu’s paintings of 1970 and the Socialist Culture of Maoist-Period China”, in: Art History 39, no. 5 (November 2016), 952–983.

• “Translation and Transformation in Sino-Tibetan Artefacts of the Yongle Period (1403–1424)”, in: Jeong-hee Lee-Kalisch and Antje Papist-Matsuo (eds.): Ritual and Representation in Buddhist Art, Weimar: VDG, 2015, 161–185.

• “‘Make the Past Serve the Present’: Reading Cultural Relics Excavated During the Cultural Revolution of 1972”, in: Michael Falser (ed.): Cultural Heritage as Civilizing Mission – From Decay to Recovery, Heidelberg and New York: Springer, 2015, 181–199.

• “Seen from a Boat: Travel and Cultural History in Huang Binhong’s Landscape Paintings”, in: Karin Gludovatz, Juliane Noth and Joachim Rees (eds.): The Itineraries of Art. Topographies of Artistic Mobility in Europe and Asia, Berliner Schriften zur Kunst, Paderborn: Wilhelm Fink Verlag, 2015, 175–199.

• (with Joachim Rees) “Introduction”, in: Karin Gludovatz, Juliane Noth and Joachim Rees (eds.): The Itineraries of Art. Topographies of Artistic Mobility in Europe and Asia, Berliner Schriften zur Kunst, Paderborn: Wilhelm Fink Verlag, 2015, 9–32.

• „Ein Frühlingszweig im Schnee der Shang und Zhou: Pflaumenblüten im Mondlicht von Pan Tianshou“, in: Annegret Bergmann, Shao-Lan Hertel, Juliane Noth, Antje Papist-Matsuo and Wibke Schrape (eds.): Elegante Zusammenkunft im Gelehrtengarten: Studien zur Ostasiatischen Kunst zu Ehren von Jeong-hee Lee-Kalisch – Elegant Gathering in a Scholar’s Garden: Studies in East Asian Art in Honor of Jeong-hee Lee-Kalisch, Weimar: VDG, 2015, 255–261.

• “Qixialing xia jiu you Taohuaxi – Huang Binhong wannian zuopin zhong de shicheng puxi, dili kongjian jiqi xiliexing 棲霞嶺下舊有桃花溪——黃賓虹萬年作品中的師承譜系、地理空間及其系列性” [Beneath Qixialing there was a Peach Blossom Spring: Genealogy, Locality and Seriality in Huang Binhong’s Late Paintings], in: Jinian Huang Binhong dansheng 150 zhounian guoji xueshu yantaohui lunwenji [Proceedings of the International Conference in Commemoration of Huang Binhong’s 150th Birthday], ed. Zhejiangsheng Bowuguan et al., Hangzhou: Zhejiang Meishu Chubanshe, 2015, 61–78.

• „Zhouzhong suo jian – Huang Binhong shanshuihua zhong de dili, wenhuashi he geren ganshou 舟中所見——黃賓虹山水畫中的地理、文化史和個人感受” [Seen from a Boat: Geography, Cultural History and Perception in Huang Binhong’s landscape paintings], in: Kong Lingwei and Juliane Noth (eds.): Huang Binhong yu xiandai yishu sixiangshi guoji xueshu yantaohui wenji. Huang Binhong and the Evolution of Modern Ideas in Art: An International Forum, Hangzhou: Zhongguo Meishu Xueyuan Chubanshe, 2014, 217–238.

• “Huang Binhong and the Intellectual History of Modern Art: A Brief Introduction”, in: Kong Lingwei and Juliane Noth (eds.): Huang Binhong yu xiandai yishu sixiangshi guoji xueshu yantaohui wenji. Huang Binhong and the Evolution of Modern Ideas in Art: An International Forum, Hangzhou: Zhongguo Meishu Xueyuan Chubanshe, 2014, 1–7.

• “Landscapes of Exclusion. The No Name Group and the Multiple Modernities in Chinese Art around 1979”, in: Negotiating Difference. Chinese Contemporary Art in the Global Context, ed.  Birgit Hopfener, Franziska Koch, Jeong-hee Lee-Kalisch and Juliane Noth, Weimar: VDG, 2012, 49–62.

• „Abstraktion als Tradition. Fu Baoshis ‚Einsamer Wanderer im Gebirge‘ in der Ostasiatischen Kunstsammlung Berlin“, in: Ostasiatische Zeitschrift, N.S., No. 19, Spring 2010, 23–31.

• „Eine Kiefer auf dem Huangshan. Naturwahrnehmung und Alte Meister bei Huang Binhong“, in: DianMo – Zeitung Leipziger Sinologie-Studenten, No. 9 (May 2010), 4–10.

• “Evoking the Sublime. Shi Lu’s Huashan of 1971 and its Uses of the Fan Kuan Style”, in: Joanna Wasilewska (ed.): Sztuka Chin, Warszawa: Nydawnictwo Neriton, 2009, 103–110.

• „Momentaufnahmen zur chinesischen Malerei und ihren theoretischen Grundlagen“, in: Mies Haus Magazin 2009, no. 5, 44–53.

• „Heroische Landschaften im Produktionskampf. Die ‚Verbindung von revolutionärem Realismus und revolutionärer Romantik‘ in Shi Lus Landschaftsmalerei“, in: das neue China, No. 2/June 2007, 13–17.

• „Tibet – Klöster öffnen ihre Schatzkammern“, in: Museumsjournal, No. 1/Jan. 2007, 54–57.

• „China-Avantgarde: Bildende Kunst seit 1979“, in: Carsten Hermann-Pillath and Michael Lackner (ed.): Länderbericht China. Politik, Wirtschaft und Gesellschaft im chinesischen Kulturraum, Bonn: Bundeszentrale für politische Bildung, 1998, 478–490.

• „Pekings Kunstszene heute. Geistige Zivilisation im Sozialismus“, in: das neue China, No. 1/March 1996, 8–11.

Contributions in exhibition catalogues

• Tibet – Klöster öffnen ihre Schatzkammern, exh. cat. Villa Hügel Essen, Aug. 19 to Nov. 26, 2006, and Museum of Asian Art, State Museums Berlin, Feb. 21, to May 28, 2007:
  • Catalogue entries on Sino-Tibetan sculptures and thangkas (in German):
    • Cat. 30 Arhat Ajita, 240–243.
    • Cat. 37 Avalokiteśvara seated in royal ease, 267–271.
    • Cat. 50 Yidam Hevajra, 314–318.
    • Cat. 53 Yidam Cakrasamvara, 323–327.
    • Cat. 61 Goddess Marici, 359–363.
    • Cat. 65 The Protector Śrīdevī, 371–375.
    • Cat. 75 Lotus Mandala of Vajrabhairava, 404–408.
    • (Cat. 50, 53 and 65 with Andreas Kretschmar and Pema Tsering)
  • Translation from Chinese of the essays by Paphen: „Der Potala – Kloster und Palast“, 34–40, and Sönam Wangden: „Heilige Schriften in Tibet“, 54–61.
• „‚In dieser großen Zeit…‘. Chinesische Kunst in der sozialistischen Marktwirtschaft“ and catalogue entries, in: China – Aktuelles aus 15 Ateliers [China – Recent Works from 15 Studios], exh. cat. München: Reithalle, 1996, 11–16.
• „Der Duchamp-Komplex. Eine kleine Studie der Seelenlage chinesischer Künstler“, in: CONFIGURA 2 – Dialog der Kulturen, exh. cat. Erfurt: Galerie am Fischmarkt, 1995, 21–23; in Chinese translation in: Hualang, No. 5/6, 1995, 64–65.
• Catalogue entries on Fang Lijun, Lin Yilin, Chen Shaoxiong, Liang Juhui, Liu Wei, Xu Zhongmin, Yang Jun und Zhao Gang, in: China-Avantgarde, exh. cat. Berlin: Haus der Kulturen der Welt, 1993.

Online publications

• “Guoji xueshujie dui Huang Binhong de yanjiu: ART289 jizhe zhuanfang Deguo xuezhe Juliane Noth” [International Research on Huang Binhong: An interview with German scholar Juliane Noth], in: ART289, no. 8, 2015
• „Grundzüge der Ostasiatischen Kunstgeschichte“, E-Learning programme of Freie Universität Berlin (2008, in German):
  • Introduction „Painting“
  • Lessons on Chinese painting:
    • Anonymous (12th–13th c.): Returning Herder in Autumn Woods
    • Dai Jin (1388–1462): Spring Clouds in the Linggu Mountains
    • Chen Lu (fl. 1436–1449): Plum Blossoms in Moonlight
    • Zhang Lu (ca. 1490-ca. 1563): Playing the Zither for a Friend
    • Jiang Song (fl. 1st half 16th c.): Four Landscapes
    • Sheng Maoye (fl. 1607–1637): Pine Trees, Rocks, and Wisteria
    • Wang Jian (1598-1677): Autumn Mountains in the Manner of Huang Gongwang
    • Gong Xian (ca. 1617/18–1689): Thousand Peaks and Myriad Ravines
    • Zhu Da (1626–ca. 1705) attr.: Fish, Duck, and Rock
    • Hua Yan (1682-1756): Chrysanthemums, Bamboo and Rocks
    • Gao Fenghan (1683–1749): Travel Paintings from Shandong
    • Qi Baishi (1863-1957): Eagle on a Tall Rock
    • Huang Binhong (1865-1955): Landscape
    • Fu Baoshi (1904-1965): Bare Trees in Autumn
    • Zhang Daiqian (1899–1983): Small Boat in a Mountain Stream

Dictionary entries and book reviews

• Entries in Allgemeines Künstlerlexikon. Artists of the World, ed. Andreas Beyer et al., Berlin: DeGruyter:
  • Liu Anping (vol. 85, 2015, 65–66)
  • Lu Yanshao (vol. 85, 2015, 408–409)
  • Pan Tianshou (vol. 94, 2017, 231–232)
  • Shi Lu (forthcoming).
• Entry in Grove Encyclopedia of Asian Art and Archaelogy, ed. Sonya Lee / Oxford Art Online, Oxford and New York: Oxford University Press:
  • Shi Lu (revision of existing entry by Zhong Hong; forthcoming).
• Review of Clarissa von Spee: Wu Hufan – A Twentieth-Century Art Connoisseur in Shanghai, Ostasiatische Zeitschrift, N.S, No. 16 (Fall 2008), 49–52.